五十年前的乌托邦幻梦，本是加以尖锐讽刺，今天回首却尽成唏嘘。原籍智利的大师级导演拉乌卢易兹，当年在左翼总统上台后，拍片批评新政府的理想主义不切实际，岂料军事政变走向独裁，作品未及完成，他本人亦流亡海外。在他辞世多年后，视频终于寻获，经抢救修复，由其遗孀兼创作伙伴完成剪接，令此作重现人间。糅合纪实与虚构，在历史洪流里保持清醒，在激昂呐喊中洞察困境。由两组故事交错而成，工人接管工厂，知识份子空言革命，结局预示终成泡影。

五十年前的乌托邦幻梦，本是加以尖锐讽刺，今天回首却尽成唏嘘。原籍智利的大师级导演拉乌卢易兹，当年在左翼总统上台后，拍片批评新政府的理想主义不切实际，岂料军事政变走向独裁，作品未及完成，他本人亦流亡海外。在他辞世多年后，视频终于寻获，经抢救修复，由其遗孀兼创作伙伴完成剪接，令此作重现人间。糅合纪实与虚构，在历史洪流里保持清醒，在激昂呐喊中洞察困境。由两组故事交错而成，工人接管工厂，知识份子空言革命，结局预示终成泡影。

《进步班》是一档通过传统文化探究演员表演艺术的“演员训练纪实真人秀”。节目邀请演艺界资深前辈李诚儒作为班主任，以中国国粹——京剧为基石，带领数十位新人演员进行表演训练。李诚儒将用追溯传统、剖析经典的方式言传身教，通过代际碰撞演员精进的信条，最终帮助新人完成演技的成长与蜕变，打造出新一代年轻核动力。

《进步班》是一档通过传统文化探究演员表演艺术的“演员训练纪实真人秀”。节目邀请演艺界资深前辈李诚儒作为班主任，以中国国粹——京剧为基石，带领数十位新人演员进行表演训练。李诚儒将用追溯传统、剖析经典的方式言传身教，通过代际碰撞演员精进的信条，最终帮助新人完成演技的成长与蜕变，打造出新一代年轻核动力。

Israel和Louie无所事事在洛杉矶到处走走，幻想自己同班同学。当Israel听到Louie说他做爱失败时，他觉得自己必须做些什么。@樱夏枫雪

Israel和Louie无所事事在洛杉矶到处走走，幻想自己同班同学。当Israel听到Louie说他做爱失败时，他觉得自己必须做些什么。@樱夏枫雪

For nearly two decades, John Gianvito has been carving out a unique space in American cinema with passion projects of expansive shape and political ambition, including The Mad Songs of Fernanda Hussein, a documentary-fiction inquiry into the human toll of the Gulf War, and Profit Motive and the Whispering Wind, a becalmed yet radical Howard Zinn–inspired reflection on American progressivism. In his new film, Gianvito meditates on a particular moment in early 20th-century history: when Helen Keller began speaking out passionately on behalf of progressive causes. Beginning in 1913, when, at age 32, Keller gave her first public talk before a general audience, Her Socialist Smile is constructed of onscreen text taken from Keller’s speeches, impressionistic images of nature, and newly recorded voiceover by poet Carolyn Forché. The film is a rousing reminder that Keller’s undaunted activism for labor rights, pacifism, and women’s suffrage was philosophically inseparable from her battles for the rights of the disabled.

For nearly two decades, John Gianvito has been carving out a unique space in American cinema with passion projects of expansive shape and political ambition, including The Mad Songs of Fernanda Hussein, a documentary-fiction inquiry into the human toll of the Gulf War, and Profit Motive and the Whispering Wind, a becalmed yet radical Howard Zinn–inspired reflection on American progressivism. In his new film, Gianvito meditates on a particular moment in early 20th-century history: when Helen Keller began speaking out passionately on behalf of progressive causes. Beginning in 1913, when, at age 32, Keller gave her first public talk before a general audience, Her Socialist Smile is constructed of onscreen text taken from Keller’s speeches, impressionistic images of nature, and newly recorded voiceover by poet Carolyn Forché. The film is a rousing reminder that Keller’s undaunted activism for labor rights, pacifism, and women’s suffrage was philosophically inseparable from her battles for the rights of the disabled.

International development program. Initiated by the U.S. and joined by 22 Latin American countries in 1961, it aimed to strengthen democratic government and promote social and economic reforms in Latin America. The program, which provided loans and aid from the U.S. and the international financial community, built some schools and hospitals, but by the early 1970s it was widely viewed as a failure. Significant land reform was not achieved, population growth outstripped gains in health and welfare, and the U.S. willingness to support military dictators to prevent communism from gaining a foothold sowed distrust and undermined the reforms the Alliance was intended to promote.